Film (&TV)

Let’s talk film!

A short guide on formatting for Counter Arts’ film section specifically

The BBC’s brilliant TV experiment continues sending chills down spines

The mediums and the message

The quietly compelling star rising to new heights

A new Australian documentary is a musical mystery for the ages — and a gender equity story that couldn’t be more timely.

How mental illness in serial killers created new horror tropes

Scott’s 2006 drama is abhorrent

Pedro Almodovar’s first English language film is daring, stylish and mature

God’s Gift to Indies becomes even more independent (with Maggie Renzi at his side)

The Parker Finn-directed film is the much needed sequel horror fans deserve

Rewatching Basu Bhattacharya’s evocative marriage trilogy

Comments on Coppola’s Priscilla Presley biopic and Sofia Coppola’s overlooked career more widely

Television drama has historically been the barometer of our national identity but it can be a window on the global human condition

How Pixar let down the ruby-haired rebel’s promising debut on the big screen.

Blurring the boundaries between man and machine, or reality and fiction, in the 21st century

Wait, no, you’re not supposed to be good. I need to make my jokes.

A Day in Tokyo: My First Theater Experience in Japan and Discovering Tokyo’s Hidden Gems — One Toilet at a Time!

Ali Abbasi’s first English-language film is a daring, provocative and deeply unflattering biopic

Or, how movie marketing turned me into a true believer

Coralie Fargeat’s film is a dark humorous take on the absurdity of beauty standards

Hollywood’s most historically-minded auteur makes Robin Hood’s story into a stirring, political action film… until it isn’t

Coralie Fargeat’s first movie offers exploitation, thrills, and just enough commentary to elevate the material

Years in the making, Academy Award winner Adam Elliot brings a new animated tale to the screen — and you’re gonna need the tissues.

Advice for young filmmakers, working with big names, behind the scenes on Dune, and much, much more

The 1987 cult classic is wonderfully wild